carmen_lj: (ship - martha/ten gallifrey talk)
[personal profile] carmen_lj
Is it good? Is it good? Oh, it's bloody awesome. Oh, wowness. Indeed.


  • Right from the start, right from the very start, I couldn't say that about IP/SP, I needed those first thirty seconds cut off, but no, here we go straight into the story - always a big help when you're working with such limited time like the New Series is.

  • Okay, fair enough, they have to escape the Family rather than it being An Experience thing. Makes more sense with the New Series, saves time, though not quite so much a punchy motivation.

  • But, hell yeah, that was The Best Teaser Ever. (It so was.)

  • He! Mortar board! He! Oh, I am a bit in love with the look of this thing, yes.

  • Oh, yes! Yer actual racism! Brilliant! That's all I needed, just that acknowledgemnt that casual racism was accepted and ingrained in the society. And classism! And Smith being a bit racist too! Dude! That's what Daleks Take Manhattan needed.

  • And Martha is a bit brilliant (actually, a fib, it's not Martha, it's Freema, cause it's the way she's playing it here, it's really fecking brilliant. There's so much in her performance, it's beautifully layered here - possibly her best performance of the season?)

  • Oh *Joan* and *John* and romantic farce with those stairs. And she's a nurse, not a teacher! Dude! Shippity-ship shit the good Martha/Ten ship, yes.

  • Empty child picture! Daleks! Moxx of Balhoon! Rose! Cybermen! Oh, for an old skool-

  • OMG HE DREW HIMSELF OMG ALL HIS INCARNATIONS IS THIS THE BEST MOMENT EVER I THINK IT MIGHT BE OMG EIGHT IS PROPER CANON NOW YOU CANNOT EVER DENY AGAIN AND I LOVE EVERYTHING EVER OMG.

  • Love the Joan & Martha stuff to - it's practically electric! Kudos to both actresses and Cornell, aye.

  • Heh, is that the kid from Love Actually? Liz Shaw was his grandmother in that movie, y'know.

  • Martha and Jenny are also greatness. Oh, it's so Martha's story this, much as I love every second of Smith onscreen.

  • He, it be Martha's TARDIS now. (Oh, please for fic of Martha and TARDIS bonding in Doctor's absence, yo.)

  • Ha! So that DNA thing HAS JUST BEEN HANGING AROUND THE TARDIS ALL THESE CENTURIES, EH? Also if that's standard install on a type 40 (and I can't see why the Doctor would go out of his way to get such a bloody awful thing) then one might assume later TARDISes also have one, in which case there's quite an esay explanation for why Nine could sense no other Time Lords, yo.

  • Yes! Benny's list! But in visual form!

  • NO MONSTERS DURING THE DAYTIME. BAD WHO.

  • NOT THE FREAKIN RED BALLOON, NOES, MEEPNESS. (This is the thing that freaked me out something rotten in the book.)

  • "I hope, Latimer, one day you may have a just and proper war to prove yourself." That hurt even before the flash forwards. That hurt a lot.

  • Mr Smith is a lot meaner in this version - he's all down with the guns and the beatings and not half as whacked out as Seven!Smith seemed to everyone else.

  • Oh, he so was channelling Five with that throw. And, yes! It's even a cricket ball.

  • Gallifrey mention, yay!

  • EEEEEEEEEeeee! Smashing old skool in-joke! Smith's parents were Sydney (Newman) and Verity (Lambert), he.

  • Oh, Martha, being all clever with teh scary!Jenny and then running like a very sensible person, well done her.

  • "Martha, this is what we call a story." Patronising, then slightly racist twit. And she slaps him, hurrah! LOVE.

  • And, to top it all of, my beloved Gratuitous Killing Off Of Bit Part Players is in in force. Win!



So unless they completely feck up next week, HN/FoB is right up there with IP/SP, GitF-ace and EotW for me. Bloody brilliant.

Date: 2007-05-30 12:54 pm (UTC)
ext_17485: (Default)
From: [identity profile] calapine.livejournal.com
Sydney's the dude who first pitched Who to the BBC, the creator, yes, and Verity was the first producer.

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