Sherlock: The Hounds of Baskerville

[carmen_lj]

So while I didn't love this with the ridic love of last week's - cause, y'know, Adler - I did love it very much. Although I object to the name. V DIFFICULT not to get it confused with The Hound of the Baskervilles.

• It's a good job I wasn't eating for Sherlock's first scene where he's clearly snapped and killed EVERYONE in order to alleviate his boredom.
  
  
• ...okay, apparently not. He's just harpooned a pig. Which is more-or-less the same thing.
  
  
• "Perhaps you can put away your harpoon." Mrs Hudson is great.
  
  
• Very upset we're not getting the Case of the Little Girl's Glowy Rabbit. I would like that. Also, an episode of Sherlock and dudes playing Cluedo would be entirely acceptable.
  
  
• Heh, that's Chipo Chung! Who's in it for about ten seconds, boo.
  
  
• "In your own time," says John. "But quite quickly," adds Sherlock. There's lots dialogue I love in this. Lots and lots.
  
  
• Okay, his ears are v distracting but Russell Tovey's not annoying me anywhere near as much as I thought he would. Maybe it's cause he got older. He does breathe through his mouth a lot though.
  
  
• OH SHERLOCK DID A FAKE-OUT ABOUT STAYING IN LONDON. That's just lovely. There's absolutely no reason for it other than as a nod to the original plot, and, yeah, there are lots of these injokes and I imagine I miss most of them (I've read all the Holmes stories, but most of them just the once) but this one just makes me awfully happy for some reason. I LOVE HOW MUCH THEY LOVE ACD'S WORK.
  
  
• That's a nice looking pub. I want to go there.
  
  
• The bet thing! Like with the geeses! In BLUE, I think it was.
  
  
• I know this is a modernisation and all and they change things blah, blah, blah, but I'm quite sad that Baskerville Hall is now an MOD base. There's no romance to a military base.
  
  
• Ha! Mycroft has about TWO SECS of screentime, but Gatiss makes the most of them with the most awesome expression, heh.
  
  
• That's Amelia Bullmore who's Dr Stapleton. She's v good.
  
  
• OH. We are getting The Case of the Glowy Bunny after all! Marvellous. "Did we just break into a military base to investigate a rabbit?" Lols.
  
  
• Bored of the base now, want moors. WHERE ARE THE MOORS PLEASE?
  
  
• There's the moors! And it looks like Dartmoor even! (The only reason I know what Dartmoor looks like is cause The Sontaran Experiment was filmed there... don't judge me.) For a bit anyway... now it looks like they're standing in a dark field with some trees. Ooh, now it looks good again! That Hollow's v nice. And the fog, and the wind. Smashing wind. This is all a bit exciting. Many points to the director.
  
  
• THAT WAS GREAT. It's stopped now. They're inside again. RUBBISH INSIDE. Less of this nonsense, make them go back to the moor!
  
  
• "If people knew how to make a mutant superdog, we'd know; it'd be for sale. I mean, that's how it works." Mmm, capitalist commentary.
  
  
• OH CUMBERBATCH. He's being quite great with Sherlock's fear and the panic and how he's not at all dealing with it. HIS WEE FACE.
  
  
• Lestrade! In sunglasses! Smashing.
  
  
• Oh, now Watson is being chased by a monster in the military base, whatevs, GO BACK TO THE MOORS DAMMIT. Also this is the point where I thought it must be hallucinogenic gas (I don't care if this was obvious, shusht) and then felt yay when I was right.
  
  
• So was someone was watching Minority Report before they filmed Sherlock's mind palace scene?
  
  
• And I appreciate the fact that Stapleton's not the villain here, unlike the book.
  
  
• It's a good job no-one on the telly ever has the sense to use random letters and numbers as their password for accessing really important shit.
  
  
• Cumberbatch in the Hollow, when Sherlock's talking Henry down = awesome. The expression on his face, how unguarded it is, how he very very much wants Henry to trust him, how there's perhaps even some empathy there because he was drugged too, love it.
  
  
• OH THE HOUND, BOO. I was all yay at how they'd completely avoided showing any of the scary monster dog and now there's a bloody great CGI thing lolloping across the screen. Happily, it is quickly shot and I can pretend I just didn't see it.
  
  
• OMG SHERLOCK. I like how there are signs he's becoming more comfortable with empathy, or at least not being quite such a jerkface, and will admit that John's his friend. HIS FRIEND THAT HE EXPERIMENTS ON WITH CHEMICAL WEAPONS.
  
  
• My main complaint about this episode is that nobody uttered the words "Great Grimpen Mire." Other than that, nifty keen.

Comments

[pedanther]

Making glowy rabbits isn't particularly bad, as things go, if a bit inexplicable. Although I think I would make a rabbit glow, if given the means and the opportunity. Just for the hell of it.

The glowy rabbits are inspired by a true story, although if memory serves it was really mice and you had to shine a special lamp on them, not just turn the lights off. The idea is that once you can make the whole mouse glow, the next step is making it only glow if some other thing happens, or making only the part of the mouse glow that some other treatment is active in. It's a way of being able to keep track of how the treatment is progressing without having to cut the mouse open and look.

But I wouldn't be at all surprised if the first people who did it were also thinking "Hey! We're making mice glow! Cool!"